Tynianov.Sobranie sochinenii v 3 tt.(kompl.v 3-kh tt.) - Tynianov Iurii Nikolaevich

Yuri Tynyanov (1894-1943) was a well-known Russian writer, playwright, literary critic and literary critic. The origins of Tynyanov's literary work lie in the sphere of his scientific interests. Being a talented literary scientist, he devoted himself to scrupulous study of the theory of poetry, revealing almost mathematical laws in the works of Pushkin, Tyutchev, Heine and other prominent poets. His research was closely related to the archives of writers and their contemporaries, accumulated rich historical material combined with the talent of the narrator resulted in the creation of a number of historical novels, conveying a living sense of the described era. The first volume of the collection included the novel "Kuhla" dedicated to the de-Caberist poet Wilhelm Karlovich Kuhelbecer. The work describes the Tsarskoselsky Lyceum, which brought up Pushkin, Delvigue, Pushchin and other worthy people, shows how the poet's character was formed, how his entourage influenced him, and what led the young man to the Decembrists. The book also includes historical novels and stories: "The Lieutenant Kije," "The Chernigov Regiment Waiting," "The Little Vitushshnikov" and the play "The Fourteenth of December." The second volume of the collection included the novel "Death of Wazir Mukhtar" and the novel "The Wax Person". The novel "Death of Wazir Mukhtar" tells about the last year of the life of a remarkable poet and diplomat, author of the brilliant comedy "Woe from the Mind" Alexander Griboedov and his tragic death in Persia, where he was sent as an ambassador. The novel "The Wax Person" describes the last days of the life of the Russian emperor Peter the First. The third volume of the collection included the unfinished novel "Pushkin" - the central work in the artistic heritage of the writer and the work of his life. The novel tells about childhood, adolescence and youth classics of Russian poetry. The author managed not only to capture the living image of the poet himself, but also to recreate the atmosphere of his family, the Lyceum, the characteristic features of literary and artistic life of the first decades of the 19th century.