Opernyi kostium Tvorcheskii portret A.K.Tolstogo - Koshelev Viacheslav Anatol'evich

The conceptual basis of the monograph was the characteristic of The Creative Appearance of A.K. Tolstoy, given by Chekhov: "As he put on an opera suit in his youth, so for life and remained" This characteristic is often considered an "unfair verdict" - but it did not contain appraisal, and was only a statement of tolstoy's creative method, which suggested orientation not on "life" but on the ideal "art". Cultural installation on operatic convention assumed bright content, showiness of plot "transformations", gravitation to the sublime or fantastic and providing these given "suit" of internal content. A.K. Tolstoy never wrote a libretto or poems "for music." But his creative potential was connected with the typological seations of opera as "life-making art". Whatever came out from under his pen - poems, poems, satires and parodies, novels and novels, historical tragedies and ballads - all this is visible installation on...