Polnaia istoriia iskusstva: kurs lektsii - Volkova Paola Dmitrievna
Author: Volkova Paola Dmitrievna
Item ID: 1201272
Seria: Наследие эпох
SKU: VV1201272
ISBN: 9785171183691
Pages: 512
Cover: Hardcover
Year: 2026
Publisher: ООО Издательство АСТ(OOO Izdatel'stvo AST)
Данная книга будет отправлена в течение 14-16 дней. Обратите внимание, что ДОПОЛНИТЕЛЬНЫЕ скидки на данную книгу НЕ распространяются.
Item ID: 1201272
Seria: Наследие эпох
SKU: VV1201272
ISBN: 9785171183691
Pages: 512
Cover: Hardcover
Year: 2026
Publisher: ООО Издательство АСТ(OOO Izdatel'stvo AST)
Данная книга будет отправлена в течение 14-16 дней. Обратите внимание, что ДОПОЛНИТЕЛЬНЫЕ скидки на данную книгу НЕ распространяются.
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Brief annotation
Paola Volkova is a Soviet and Russian art historian, cultural historian, teacher, presenter of the author's program "Bridge over the Abyss" about masterpieces of fine art on the TV channel "Culture". Brilliant teacher and narrator, through her books, lectures and conversations, she instilled in her students and interlocutors a sense of beauty, trying to reach their souls.
The publication you hold in your hands brings together three books based on the unique series of lectures by art historian Paola Volkova. The first is "The Commentary on Antiquity," where new connections between forms - from Stonehenge to the Globe Theatre, from Crete to Spanish bullfighting, from the European Mediterranean to 20th century conceptualism - are all connected and cannot exist without each other Other. "I suppose," paola Dmitrievna said, "that the whole history of culture that we know is a continuous commentary story. We've been commenting on Antiquity so far. Thanks to this endless commentary with the world art culture, we have psychological, intellectual and spiritual wealth."
The second book , "Mystics and Humanists" is dedicated to the Renaissance. Artists of this period Sandro Botticelli and Leonardo da Vinci, Raphael and Titian, Hieronymus Bosch and Pieter Bruegel the Elder were not just artists. They were philosophers charged with the main problems of the time. Returning to the ideals of Antiquity, they created a whole, with an internal unity concept of peace, filled traditional religious subjects with earthly content.
The last book included in this course of lectures tells about the phenomenon of Impressionism. Edouard Manet and Claude Monet, Edgar Degas and Ogust Renoir, Henri de Toulouse-Lautrec and Paul Gauguin tried to convey to the viewer the impression, the beauty of everyday reality, and convey what the eye sees in a particular moment, and it turned out that their creativity once and for all influenced all the subsequent art.
The book invites the reader on a fascinating journey through the centuries, where he, following the story of an art historian, will be able to rethink the images of world art culture.
The publication you hold in your hands brings together three books based on the unique series of lectures by art historian Paola Volkova. The first is "The Commentary on Antiquity," where new connections between forms - from Stonehenge to the Globe Theatre, from Crete to Spanish bullfighting, from the European Mediterranean to 20th century conceptualism - are all connected and cannot exist without each other Other. "I suppose," paola Dmitrievna said, "that the whole history of culture that we know is a continuous commentary story. We've been commenting on Antiquity so far. Thanks to this endless commentary with the world art culture, we have psychological, intellectual and spiritual wealth."
The second book , "Mystics and Humanists" is dedicated to the Renaissance. Artists of this period Sandro Botticelli and Leonardo da Vinci, Raphael and Titian, Hieronymus Bosch and Pieter Bruegel the Elder were not just artists. They were philosophers charged with the main problems of the time. Returning to the ideals of Antiquity, they created a whole, with an internal unity concept of peace, filled traditional religious subjects with earthly content.
The last book included in this course of lectures tells about the phenomenon of Impressionism. Edouard Manet and Claude Monet, Edgar Degas and Ogust Renoir, Henri de Toulouse-Lautrec and Paul Gauguin tried to convey to the viewer the impression, the beauty of everyday reality, and convey what the eye sees in a particular moment, and it turned out that their creativity once and for all influenced all the subsequent art.
The book invites the reader on a fascinating journey through the centuries, where he, following the story of an art historian, will be able to rethink the images of world art culture.
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